Review: November Sky

The New York Times | Bernard Holland

In November Sky the flute is commanded to go forth and multiply, the flute's basic gestures cataloged and isolated, and then made to grow, shrink, tighten and expand. The soloist on stage in this quasi-concerto for flute and flutes was Jayn Rosenfeld. She made her way through four members of the instrument's immediate family, from piccolo to bass while loudspeakers on either side alternately shrieked, cooed, and groaned in response