Jeu de Tarot
Computer Music Journal
Ross Feller, 2022
Computer Music Journal
Ross Feller, 2022
textura
2021
textura
2021
textura
2020
There are a few works that announce their stature in their opening bars, such as Beethoven’s Third and Fifth Symphonies, or Haydn’s “Lord Nelson” Mass. After a brief, mumbled introduction (an actor reading poet René Daumal’s words), David Felder’s Les quatre temps cardinaux (“The Four Cardinal Times”: dawn/spring, noon/summer, sunset/fall, night/winter) becomes one of them.
Fanfare Magazine
James H. North, 2020
From the very outset, it strikes as music on fire. The Prelude begins with a recorded track of the narrated poem, quickly overtaken by music that is clearly based on gestures taken from the overtone series. The next movement (using the same text) builds to an enormous climax of overlapping, slowly ascending lines. It’s as though a great space is being opened up for exploration.
Fanfare Magazine
Robert Carl, 2020
Sequenza 21
Christian Carey, 2020
[Felder's] vocal writing is ambitious, operatic in scope and compass. The piece opens with a series of spectral chords, over which Aiken’s voice soars, effortlessly managing pianissimo dynamics and altissimo high notes.
Sequenza 21
Christian Carey, 2020
American Record Guide
Haskins, 2020
The vocal-orchestral-electronic mix has a glorious complexity and an ambitious foregrounding one hears less frequently nowadays but is no less the welcome for its rarity. The combination of the various iterations of the poetry combined with the highly voluble syntactical whole of words and sound-color lucidity-abundance makes for exceptional listening.
Classical Modern Music
Grego Applegate Edwards, 2020
Peter J. Rabinowitz, 2020
Colin Clarke, 2020
South Source Critic
2020
The Wall Street Journal
Allan Kozinn, 2015
The Washington Post
Stephen Brookes, 2015
The ArtsFuse
Jonathan Blumhofer, 2014
Boston Globe
Jeremy Eichler, 2014
Boston Classical Review
David Wright, 2014
American Record Guide, Issue 246
2014
Buffalo Spree
Peter R. Reczek, 2013
Fanfare Magazine
David DeBoor Canfield, 2013
Sequenza 21
Christian Carey, 2011
Boston Globe
Matthew Guerrieri, 2011
The New York Times
Allan Kozinn, 2011
Fanfare Magazine
Peter J. Rabinowitz, 2010
The New York Times
Jeremy Eichler, 2005
Gramophone
Lawrence A Johnson, 2002
Fanfare Magazine
John Story, 2002
LaFolia Online Music Review
2002
Seen and Heard
2001
American Record Guide
2001
Rochester City Magazine
David Raymond, 2001
The Los Angeles Reader
Alan Rich, 2001
The New Music Connoisseur
David Cleary, 2001
American Record Guide, volume 63, #6
Allen Gimbel, 2000
Sequenza21
2000
Dansk Musiktijdskrift
2000
Rochester City Magazine
David Raymond, 2000
Neue Zeitschrift fur Musik
Hans-Theodor Wohlfhart
New Music Connoisseurs
David Cleary
Sequenza 21
Christian Carey
The New Yorker
Andrew Porter
Buffalo News
Herman Trotter
The New Yorker
Paul Griffiths
Svenska Dagbladet
Carl-Gunnar Ahlen
Buffalo News
Kenneth Young
Buffalo News
Herman Trotter
American Record Guide
Kraig Lamper
Buffalo News
Herman Trotter
Robert Everett-Green
Toronto Globe and Mail
Buffalo News
Herman Trotter
Art Voice
Edward Yadzinski
Buffalo News
Kenneth Young
Chicago Sun-Times
Wynne Delacoma
James North
Fanfare Magazine
The New York Times
Bernard Holland
Osterreich Nachrichten
Franz Scwabeneder
The New Yorker
Andrew Porter
International Computer Music Association
Linda Antas
Bloomington Herald
Peter Jacobi
Classical Music on the Web (UK)
Svenska Expressen
Thomas Anderberg
Neue Musikzeitung
Sacramento Bee
William Glackin
Yorkshire Post
Buffalo News
Herman Trotter
Italia Oggi
Antonio Ranalli
The Scotsman
The Scotsman
Buffalo News
Herman Trotter
Buffalo News
Richard Chon
Alan Rich
L.A. Reader
The New York Times
Allan Kozinn