Review: Les Quatre Temps Cardinaux

Of the three works on Sunday's program, David Felder's Les Quatre Temps Cardinaux took best advantage of the surround-sound stereo set-up in the hall. […] Throughout, the blend of electronic and acoustic sounds is virtually seamless. The orchestral writing is generally colorful and vigorous, nowhere more so than in Felder's dazzling painting of a sunrise in its opening section. The ferocious climax at the end of Part 2 was also thrilling, but for another reason: it let the orchestra really rip for the first time all afternoon.